Laurea - Wikipedia. Da Wikipedia, l'enciclopedia libera. La laurea . Questo aggettivo poteva inoltre essere preceduto dal sostantivo corona, e in tal caso indicava la corona d'alloro, il lauro imperiale o poetico. La locuzione identificava la disciplina precedente ai decreti ministeriali emanati in attuazione dell'articolo 1. Bassanini bis), con riferimento al primo decreto, il 5.
Ministro dell'universit. Gli esami che si estendevano anche al seguente anno accademico erano detti biennali. Tale processo concede pienamente tramite gli organi proposti, MIUR, di autorizzare con decreto o presa d'atto Ministeriale la capacit. Il credito rappresenta l'unit. C. F. U. Altra motivazione rilevante era il fallimento generalizzato delle carriere scolastiche: i due terzi degli immatricolati abbandonava gi. Directed by Mike Nichols. With Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels. A disillusioned college graduate finds himself torn between his older lover and her daughter. Scheda film Il laureato (1967)Dei coordinamenti regionali e centrali serviranno a favorire un'armonizzazione delle epigrafi dei titoli di studio, in maniera tale da far corrispondere quanto pi. Questo consente maggiore flessibilit. Anche le prove finali dei corsi variano da sede a sede: si va dalla prova orale alla tesi tradizionale, passando per il tema scritto, con un punteggio aggiunto rispetto al voto di partenza, determinato dalla media dei voti ponderata in base ai crediti, dai 3 ai 1. Il voto del titolo di accesso non . Il diploma di laurea, indicando che il laureato ha acquisito nella frequentazione nel suo percorso universitario un complesso di conoscenze, competenze, abilit. Non a caso le attuali disposizioni (derivate dal regio decreto 4 giugno 1. Regolamento studenti, vedi in particolare l'articolo 4. Le discipline insegnate e apprese sono tutte quelle caratterizzanti la classe di laurea a cui il diploma si riferisce. Gentile), e poi conferma il regio decreto 3. Il valore legale della laurea emerge invece . Cassese parla al proposito di . In particolare in esso viene sancita al comma 1 la libert. Viene infine prescritto, sempre al comma 5, l'esame di Stato per l'abilitazione all'esercizio professionale. Obiettivo di tale esame di Stato . Per tali delicate professioni (avvocati, medici, ingegneri, eccetera) lo Stato abilita all'esercizio esclusivamente i laureati che superano un apposito esame, di uniforme difficolt. Nelle intenzioni dei Padri costituenti un obiettivo di tale esame era anche quello di esercitare un controllo sulla qualit. Ma l'efficacia di questo controllo si . In particolare: il diploma di laurea . In questo decreto ministeriale si afferma all'articolo 4 che i titoli conseguiti al termine dei corsi di studio dello stesso livello, appartenenti alla stessa classe, hanno identico valore legale. Il medesimo principio . Tale decreto, infatti, individuando le classi di laurea necessarie per l'accesso alle varie professioni, considera separatamente laurea e laurea specialistica (ora magistrale). Ad esempio, nel caso della professione di ingegnere, il relativo albo . Per quanto riguarda il settore del pubblico impiego, un tempo ancorato al sistema del valore legale della laurea nell'ambito della disciplina delle assunzioni e degli avanzamenti di carriera, oggi va registrata una significativa evoluzione. La materia ha subito, infatti, un progressivo processo di delegificazione, sia per la privatizzazione di vari settori che, nel passato, ricadevano nell'ambito del pubblico impiego, sia per il frequente rimando alla contrattazione sindacale per la determinazione degli avanzamenti di carriera di coloro che fanno parte dei pubblici uffici. In molti casi, il requisito del titolo di studio non . Come nel pubblico anche nel privato la laurea costituisce un titolo fondamentale per le neo- assunzioni. Ma nel privato la laurea non viene valutata tanto per il suo valore legale, quanto per il suo contenuto sostanziale: le imprese considerano diversamente il titolo e il voto di laurea a seconda dell'universit. Ovviamente per assunzioni successive alla prima o alle prime contano pi. Il valore legale del titolo di studio rappresenta una certezza legale circa il possesso, da parte dei soggetti che ne siano provvisti, di una data preparazione culturale o professionale, risultante dalla conformit. Tale certezza legale opera non solo nell'ordinamento didattico, consentendo il proseguimento degli studi, ma in tutto l'ordinamento giuridico nazionale, permettendo, ad esempio, la partecipazione a pubblici concorsi o l'esercizio di un corso di studi. Per quanto riguarda invece la tutela del valore delle lauree italiane all'estero ci si avvale della legislazione esistente in materia, prodotta dall'Unione europea, dal Consiglio d'Europa, dalle Nazioni Unite e dagli accordi bilaterali tra i singoli paesi. Di questo problema si . Altre casistiche adottate dal ministero nel valore legale del titolo nel territorio Italiano si riferiscono al d. Link Campus Roma ed alla presa d'atto 3. MIUR d. m. URL consultato l'1. Rivista Universitas - La riduzione dei crediti formativi legati all'esperienza professionale nella .
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Anthraquinone profile, antioxidant and enzyme inhibitory effect of root extracts of eight Asphodeline taxa from Turkey: can Asphodeline roots be considered as a new. East Tennessee State University PO Box 70267 Johnson City, TN 37614 423-439-1000 Office of the Registrar PO Box 70561 Johnson City, TN 37614. Your Career and astrology . The possibilities to achieve success and progress are higher in business as compared to jobs. This sector provides a person with ample of opportunities to show his talent and earn profits. On the one hand, business sector is associated with benefits while on the other hand, this sector requires the qualities of courage to take risk and accept the challenges. Those who lack these qualities may face a huge loss in their business. Let us know about the yogas of business and profession in the kundli. This Yoga gives the person opportunity to increase his wealth and prosperity. If this house is strong in the birth chart, the person is courageous and he can take risk in business. Venus is the planet of wealth and prosperity, and lavish lifestyle. Therefore, due to the auspiciousness of this yoga, the person may run a business of creative items or luxury products. Also, if Venus is the second lord and located in the third house or forms a relationship with the eleventh house, the economic condition of the person gets improved. The efficiency of a person at the professional front is analyzed through the position of Mercury in the birth- chart. If Mercury is stable in the birth chart, the person completes the intellectual work easily. If Mercury is the tenth lord and located in the eleventh house, the person earns profit in his business. If the kaarak planet is auspicious and strong in the birth chart, the person gets the ability to take quick decisions. If they have an auspicious influence, the person gets success in the medical field. The aatmakarak planet is the one which has highest number of degrees. It is most commonly used in Jaimini method of astrology to make predictions. When Karkansh planet is located with Ketu in the birth chart, the person may run a business. Due to this yoga, the person may do the business of hospitality or construction. When Saturn and Venus are located in seventh house or they aspect the house, the person will get favorable results in business partnership. This yoga is auspicious for the person to run a sale- purchase business, transport business or construction work. It is said that the influence of Rahu on any house, planet or sign leads to malefic effects. Rahu is criticised for its negative effects, due to which, people often ignore its positive effects. Relationship of Rahu and Ketu blesses the person with technical knowledge. When these two planets form a relationship with tenth house/tenth lord or eleventh house, the technical knowledge of the person gets increased. Written examination against EN No. RRC01/2012 was held on 27/10/2013, 17/11/2013, 24/11/2013, 01/12/2013 & 08/12/2013 followed by Physical Efficiency Test for Non-PWD. 2 7/1/1991 3/1/2016 09:00:00. Generally, it has been found that businessmen are richer and wealthier than the servicemen. The possibilities to achieve success and progress are higher in business. Priya Tendulkar (1954–2002) was an Indian actress, social activist and a writer, who is most known for her eponymous role in the television series Rajani (1984). Telugu cinema songs, Telugu Movie songs, telugu cinema latest songs, latest releases, Telugu Devotional songs,telugu cinema old songs, telugu cinema black white songs. When Mars and Ketu form a relationship, the person has the knowledge of instrumental technology. Saturn gives the person knowledge of machines. The positive influence of Venus gives the person knowledge to design machines. The influence of Saturn on Ascendant house provides the person with the qualities of telepathy, indepth knowledge and ability to make plans. The influence of Saturn, Mars or Ketu on tenth house/tenth lord is commonly found in the birth chart of engineers. Saturn or Mars are also strong in the birth chart of an engineer. Apart from this, Leo also increases the auspiciousness of this Yoga. Yogas to become a Doctor If Sun, Mars and Mercury or Sun, Mercury and Jupiter form a conjunction with the ascendant, second, fifth or tenth house in the Virgo, Scorpio or Aquarius sign, the person may become a good doctor. Sun makes a person self- confident and Mars makes him courageous. When Sun is located in tenth house and forms a conjunction with Venus, the person becomes a surgeon. This Yoga motivates the person to move ahead in this field with confidence. The conjunction of Sun and Saturn in tenth house helps the person to become a child specialist. However, it is also said that if Saturn and Sun form a conjunction in any house, the auspicious results of that house may get affected. If Mars and Saturn form a conjunction in tenth house, the person becomes a dentist. Hence, for a person to get associated with medical field, the tenth house/lord should form a relationship with the house of diseases in his birth chart. If Mars is in tenth house and Libra sign, the person becomes a surgeon. If Venus and Mars form an aspect relationship or conjunction and Sun aspects them, the person becomes a surgeon. Conjunction of Venus and Moon and aspect of Sun on these planets makes the person a physician. Choose Your Moon Sign! Aries Horoscope 2. Taurus Horoscope 2. Gemini Horoscope 2. Cancer Horoscope 2. Leo Horoscope 2. 01. Virgo Horoscope 2. Libra Horoscope 2. Scorpio Horoscope 2. Saggittarius Horoscope 2. Capricorn Horoscope 2. Aquarius Horoscope 2. Pisces Horoscope 2. Penso che questa risposta violi le linee guida della community. 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Continuo, incessante, fatto di tanti suoni che si mescolano e si fondono secondo ricette mai uguali, in una cacofonia solo apparentemente disordinata. A l primo impatto, l’orecchio non distingue le tante – quante. Le strade sono affollate, ricolme, straboccanti di gente che vaga. Vagare: indefinito, sfocato, senza una meta. Guardi i volti e vedi lo stesso sorriso tirato, lo stesso sguardo che sfiora la superficie della realt Web of Danger (1. Uncover detailed information about Web of Danger (1947). Explore interactive visualizations about the cast, ratings, recommendations, plot, and more. Watch G-Force: Guardians of Space - Season 1, Episode 82 - Web of Danger: Coming soon. Buy Web of Danger on Amazon.com FREE SHIPPING on qualified orders. Film Web of Danger 1947 en streaming sur - VF - Youwatch - VK, film gratuit complet fran Rajula And The Web Of Danger. 8-10-2016 2/2 Rajula And The Web Of Danger. Other Files Available to Download Streaming resources for Philip Ford Web of Danger. Links to watch this USA Action, Adventure, Drama, Romance Movie online. Watch The Web Of Danger movie trailer and get the latest cast info, photos, movie review and more on TVGuide.com. When I was searching for Ypulse content this morning on Google News I came across this headline: Man Enters School Looking For Internet Teen. I immediately thought of. Rajula And The Web Of Danger. 15-09-2016 2/2 Rajula And The Web Of Danger. Other Files Available to Download Biblical-Period Pottery Artifacts from the Holy Land. Nice terracotta amphoriskos. Terracotta Temples (1970) 1969: Kamallata; The Automobile Industry in India; 1970: Terracotta Temples; 1971: The Tale of Two Leaves and a Bud; Port of Calcutta; 1973: Engineers (India. INDIAN ARCHAEOLOGY 1970-71 — A REVIEW. Director General Archaeological Survey of India. ARCHAEOLOGICAL SURVEY OF INDIA. The Women’s Strike for Equality march in New York 1970. 18 thoughts on “ Women’s 1970s Makeup: An Overview ”. Women's 1. 97. 0s Makeup: An Overview. Like the sixties, the seventies was a diverse decade for makeup looks. Continuing on from the late 1. Launched in 1. 97. Other companies followed suit with their own scents for . This was met by a desire from consumers for more natural products and that . It was a clever sidestep, allowing woman to keep wearing makeup – and buying the products. Nostalgia. Yardley advert for its Tweed perfume acknowledging the love of ’4. Nostalgia. The 1. It was also a way for advertisers to jump on board the nostalgia train. Films and Music. Liza Minelli and Joel Grey in Bob Fosse’s 1. Dasgupta: Producer: Films Division: Color: B/W: Format: DVD: Language: Hindi: Year: 1970: Runtime: 12: Towards an Understanding of Cultural Biography of Monuments: Interconnecting Archival and Field Data in Reference to Late Medieval Jor-Bangla Temples of Bengal. Director: Hari S.Dasgupta Year. Dashami puja at a terracotta temple styled Durga puja pandal at Golf. Terracotta Temples of Dwarhatta. Cabaret – their looks. In the mid- 1. 97. American makeup artist Way Bandy utilised. Other singers that inspired makeup (and hair) include Debbie Harry (with those red lips), punk mistress Siouxsie Sioux, and Cher. While disco was sexy and brazen, the music upstart of the decade was, of course, punk. Initially a backlash to the difficult social and economic situation of the 7. The hard facial makeup was largely unblended and included pale skin with dramatic eyes, brows and cheeks. It was provocative, ferocious and tribal. Magazines. Debbie Harry, singer of the new wave/punk band Blondie, on the cover of Cosmopolitan magazine (December 1. Magazines. They resonated with women across America and Britain respectively, and kept women in touch with the latest developments and issues. Makeup Brands. Farrah Fawcett with the softer makeup look of the 1. There were lots of makeup choices. Revlon, Max Factor, Yardley, Coty. Cover Girl and Maybelline were mainstream in the United States, but, again, had less hold on the international markets. Biba. Some cheeky minxes used to regularly come to the shops before work bare faced and leave fully made up! Punk was a working- class revolution and, therefore. Rimmel, Miners, Outdoor Girl and Boots 1. UK. Makeup for Women of Colour. Avon advert featuring Barbara Summers. It was during the ’7. Fashion Fair Cosmetics debuted in 1. Natalie Cole. It had started to use black women in the 1. Earthy tones were also popular. White, silver or a similar pale colour could be used under the eyebrow to add highlight. Eye shadow finishes could be matte or have a pearlescent or iridescent. Eye crayons, shaped like a kid’s crayon, were available from Max Factor, Boots 1. Natural Wonder and others all having a range. Compacts consisting of several colours were also available. The eye crease, so definite in the ’6. There were no hard edges or unblended lines in 1. Many women didn’t use a crease, just one main colour all over the lids, with an optional lighter colour under the brow. Advert for Boots 1. Colour Crayons (c. Main model has a look that is reminiscent of the 1. Eyeliner. Eyeliner might not be worn by those who favoured a more natural look, otherwise liner could be worn on the upper and/or lower lids. A heavy and well- defined approach was favoured by punks, goths and the new wave army. Eyeliner came in pencil and liquid formulations with an applicator (e. Brighter colours were also made including turquoise, raspberry and lavender. Mascara was worn on both upper and lower lashes. It could be quite liberally applied or barely there, depending on the tastes of the individual, and whether it was for daytime (e. The thin, curved brows were reminiscent of the Art Deco skinny brow, as seen on Liza. Glosses came in various sheer colours. Some ranges were flavoured, which varied from fruity tangs and mint, to things like bubble gum. While glosses did come in pots (the gloss was applied with a finger) or tubes with an applicator inside the lid, the “roller ball” method of application was trendy – products include Bonne Bell Lip- Smackers, and Maybelline’s Kissing Potion. Cheeks, Blusher and Bronzer. Everyday blusher was quite natural throughout the decade in both application and the colours used. From the mid- ’7. Blusher came in powder, gel (e. Charles of the Ritz gel cheek pomade). Look at the pencil thin brows! Nail polish came in all colours from light to dark, and in various finishes, including glittery and pearlised. Nails could be left natural or just with a touch of clear gloss. The. French Manicure was created in the mid- ’7. Jeff Pink, founder of Orly, inspired by the Parisian models who rubbed white pencil under their nail tips. Nails were manicured with a rounded tip, though square nails started to come into vogue, possibly inspired by Cher. New products and application methods came in for false nails (e. If not, we’ve read about how women who wanted super long nails would super glue nail clippings to the end of their nails! For most punks, the swastika was used to shock and cause outrage, rather than indicating Nazi sentiments. The right- facing swastika was also seen on faces and punk clothing. Punk had such a unique look compared to the mass fashion trends of the decade it needs its own section. Punk makeup did not have to be applied with. It was bold and anarchic, yet artistic. Lipstick (most likely red or black) was often applied as if on a roller coaster, creating a . The other popular look was to have pointed edges on the upper lip. Blusher. No blending, no soft edges and no apology. Other shapes were created with blusher, like a triangle from the temples down to the cheeks. Blusher wasn’t used to add a defined beauty to the cheeks. Foundation. Or the whole upper eye area was filled in with dark, bold colours and squared- off edges. Lines were also drawn out from the eyes and brows, creating geometric shapes. Some punk makeup may have looked as if it was done in a hurry, but it was applied deliberately and with care – and took as long as it needed for the look to be achieved. Face and body piercings were in, and didn’t just involve regular jewellery – safety pins and razor blades were worn in piercings as much as in clothing. It all started in the 1. People liked a suntan, spurred on by the healthy glow. Yup, skin BBQs were taking place on sunny beaches at home and in every package holiday destination across the globe! Package holidays took off (literally!) in the 1. Britain and the United States could afford to go somewhere for extra hot holiday sunshine. Reports were reaching the media about the damage caused by sunbathing, and dermatologists were starting to see the skin damage done to the sun worshipers of the ’3. The beauty industry responded by producing cosmetic substitutes that looked like a tan and making tanning lotions with more sun protection, as well as products to counteract sun damage. The sun protection factor (SPF) rating system was implemented during the 1. However, whatever dangers were known about excessive tanning, or the links being made to cancer, many people simply ignored the warnings and carried on sun bathing without due care. So that’s an overview of makeup trends in the seventies. It was a decade of significant change for women, where disco was the decadent queen, nostalgia created fads, natural was in, and punk kicked everyone’s behind, setting a precedent for street trends and youth culture. This was to inspire even more outlandish makeup in the eighties – the decade of shoulder pads, massive hair, yuppies, and Dynasty. Find Out More: Sources: Corson, R. Inness, Sherrie A.. Don Giovanni - Wikipedia. For the asteroid, see 5. Zerlina. Don Giovanni (Italian pronunciation: . Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, namely Don Giovanni or The Libertine Punished) is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer. It was premiered by the Prague Italian opera at the Teatro di Praga (now called the Estates Theatre) on 2. October 1. 78. 7. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements. A staple of the standard operatic repertoire, Don Giovanni is currently tenth on the Operabase list of the most- performed operas worldwide. Reports about the last- minute completion of the overture conflict; some say it was completed the day before the premiere. More likely it was completed the day before, in light of the fact that Mozart recorded the completion of the opera on 2. October. The composer also specified occasional special musical effects. For the ballroom scene at the end of the first act, Mozart calls for two onstage ensembles to play separate dance music in synchronization with the pit orchestra, each of the three groups playing in its own meter (a 3/4 minuet, a 2/4 contradanse and a fast 3/8 peasant dance), accompanying the dancing of the principal characters. In act 2, Giovanni is seen to play the mandolin, accompanied by pizzicato strings. In the same act, two of the Commendatore's interventions (. The work was rapturously received, as was often true of Mozart's work in Prague, (See Mozart and Prague). The Prager Oberpostamtzeitung reported, . El libertino castigado o Don Juan (t Directed by Joseph Losey. With Ruggero Raimondi, John Macurdy, Edda Moser, Kiri Te Kanawa. Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the. Don Giovanni (Italian pronunciation: . 527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, namely Don Giovanni or The Libertine Punished) is an opera in two acts with music by Wolfgang Amadeus Mozart and. Benvenuti nel sito del Ristorante il Don Giovanni e della Borsa Bistrot a Ferrara. Questo sito utilizza i cookies. Utilizzando il nostro sito web l'utente dichiara di accettare e acconsentire all’utilizzo dei cookies in conformit Diana Damrau & Mozart - The Queen of the Night Aria - Duration: 5:21. Prague opera tickets: Provides Don Giovanni at Prague Estates Theatre where Wolfgang Amadeus Mozart conducted its world premiere in 1787. Prague opera, Prague tickets, opera tickets, Czech opera. WHERE EVENT INFO WHEN TICKET PRICES BOOK. For this production, he wrote two new arias with corresponding recitatives . April 2. 4 for the tenor Francesco Morella), Elvira's aria . April 3. 0 for the soprano Caterina Cavalieri). April). He also made some cuts in the Finale in order to make it shorter and more incisive, the most important of which is the section where Anna and Ottavio, Elvira, Zerlina and Masetto, Leporello reveal their plans for the future (. These cuts are very seldom performed in theatres or recordings. Nonetheless, the final ensemble is almost invariably performed in full today. Modern productions typically include both of Don Ottavio's arias, both the original . Mi tradi per l'alma ingrata. He is keeping watch while Don Giovanni is in the Commendatore's house attempting to rape or seduce the Commendatore's daughter, Donna Anna. Localizada a 12 km do centro de Bento Gon. Hoje, a pousada oferece, 8 quartos para hospedagem, sendo 7 apartamentos localizados em um casar Don Giovanni enters the garden from inside the house, pursued by Donna Anna. Giovanni is masked and Donna Anna insists on knowing his true identity (Trio: . The Commendatore appears and forces Giovanni to fight a duel while Donna Anna flees to seek help. Giovanni kills the Commendatore with his sword and escapes with Leporello. Anna, returning with her fianc. She makes Ottavio swear vengeance against the unknown murderer. They hear a woman (Donna Elvira) singing of having been abandoned by her lover, on whom she is seeking revenge (. Giovanni starts to flirt with her, but it turns out he is the former lover she is seeking. The two recognize each other and she reproaches him bitterly. He shoves Leporello forward, ordering him to tell Elvira the truth about him, and then hurries away. Leporello tells Elvira that Don Giovanni is not worth her feelings for him. He is unfaithful to everyone; his conquests include 6. Italy, 2. 31 in Germany, 1. France, 9. 1 in Turkey, but in Spain, 1,0. In a frequently cut recitative, Elvira vows vengeance. Scene 3 . Don Giovanni and Leporello arrive soon after. Giovanni is immediately attracted to Zerlina, and he attempts to remove the jealous Masetto by offering to host a wedding celebration at his castle. On realizing that Giovanni means to remain behind with Zerlina, Masetto becomes angry (! Don Giovanni and Zerlina are soon alone and he immediately begins his seductive arts (Duet: . She leaves with Zerlina. Ottavio and Anna enter, plotting vengeance on the still unknown murderer of Anna's father. Anna, unaware that she is speaking to her attacker, pleads for Giovanni's help. Giovanni, relieved that he is unrecognised, readily promises it, and asks who has disturbed her peace. Before she can answer, Elvira returns and tells Anna and Ottavio that Giovanni is a false- hearted seducer. Giovanni tries to convince Ottavio and Anna that Elvira is insane (Quartet: . As Giovanni leaves, Anna suddenly recognizes him as her father's murderer and tells Ottavio the story of his intrusion, claiming that she was deceived at first because she was expecting a night visit from Ottavio himself, but managed to fight Giovanni off after discovering the imposture, leading to the events we have already witnessed (long recitative exchange between Anna and Ottavio, leading to Anna's aria: . Ottavio, not yet convinced (Anna having only recognised Giovanni's voice, not seen his face), resolves to keep an eye on his friend (. However, Don Giovanni remains cheerful and tells Leporello to organize a party and invite every girl he can find. They hasten to his palace. Scene 4 . Masetto hides, resolving to see for himself what Zerlina will do when Giovanni arrives. Zerlina tries to hide from Don Giovanni, but he finds her and attempts to continue the seduction, until he stumbles upon Masetto's hiding place. Confused but quickly recovering, Giovanni reproaches Masetto for leaving Zerlina alone, and returns her temporarily to him. Giovanni then leads both offstage to his ballroom. From a balcony, Leporello invites them to his master's party. They accept the invitation and Leporello leaves the balcony. Alone, Ottavio and Anna pray for protection, Elvira for vengeance (Trio: . When Zerlina screams for help, Don Giovanni drags Leporello into the room, accuses Leporello of assaulting Zerlina himself, and threatens to kill him. The others are not fooled. Ottavio produces a pistol and points it at Giovanni, and the three guests unmask and declare that they know all. But despite being denounced and menaced from all sides, Don Giovanni keeps his cool and escapes . Wanting to seduce Elvira's maid, and believing that she will trust him better if he appears in lower- class clothes, Giovanni orders Leporello to exchange cloak and hat with him. Elvira comes to her window (Trio: . Seeing an opportunity for a game, Giovanni hides and sends Leporello out in the open wearing Giovanni's cloak and hat. From his hiding place Giovanni sings a promise of repentance, expressing a desire to return to her and threatening to kill himself if she does not take him back, while Leporello poses as Giovanni and tries to keep from laughing. Elvira is convinced and descends to the street. Leporello, continuing to pose as Giovanni, leads her away to keep her occupied while Giovanni serenades her maid with his mandolin. Giovanni poses as Leporello (whose clothes he is still wearing) and joins the posse, pretending that he also hates Giovanni. After cunningly dispersing Masetto's friends (Giovanni aria: . Zerlina arrives and consoles the bruised and battered Masetto (. As he tries to escape, he bumps into Don Ottavio and Donna Anna. Zerlina and Masetto also enter the scene. Everyone mistakes Leporello for Giovanni, whose clothes he is still wearing. They surround Leporello and threaten to kill him. Elvira tries to protect the man who she thinks is Giovanni, claiming that he is her husband and begging the others to spare him. Leporello takes off Giovanni's cloak and reveals his true identity. He begs for mercy and, seeing an opportunity, runs off (Leporello aria: . Ottavio is now convinced that Giovanni is the one who murdered Donna Anna's father (the deceased Commendatore). He swears vengeance (. Threatening him with a razor, she ties him to a stool. He attempts to sweet- talk her out of hurting him. Zerlina goes to find Masetto and the others; Leporello escapes again before she returns. This scene, marked by low comedy, is rarely performed today. Elvira is still furious at Giovanni for betraying her, but she also feels sorry for him. Leporello happens along and the two are reunited. Leporello tells Don Giovanni of his brush with danger, and Giovanni laughingly taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends. The voice of the statue interrupts and warns Giovanni that his laughter will not last beyond sunrise. At the command of his master, Leporello reads the inscription upon the statue's base: . The servant trembles, but Giovanni scornfully orders him to invite the statue to dinner, and threatens to kill him if he does not. Leporello makes several attempts to invite the statue to dinner but is too frightened to complete the invitation (Duet: . Don Giovanni invites the statue to dinner himself. Much to his surprise, the statue nods its head and responds affirmatively. Scene 4 . He accuses her of being cruel, and she assures him that she loves him, and is faithful (. Leporello complains that he is sick and tired of hearing Mozart's aria everywhere all the time. Elvira appears, saying that she no longer feels resentment for Giovanni, only pity. Giovanni asks what she wants, and she begs him to change his life. Giovanni taunts her and then turns away, praising wine and women as the . Hurt and angry, Elvira gives up and leaves. Offstage, she screams in sudden terror. Giovanni orders Leporello to see what has upset her; when he does, he also cries out, and runs back into the room, stammering that the statue has appeared as promised. An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Giovanni opens it himself, revealing the statue of the Commendatore. With the D minor cadences from the overture now accompanying the bass voice (! A cenar teco m'invitasti! You invited me to dine with you. The statue disappears and Don Giovanni cries out in pain and terror as he is surrounded by a chorus of demons, who carry him down to Hell. Listen to Die Sonntagskinder Songs Online on Gaana.com. 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